• The best example I can give of coloring, in tattoo terminology,
    is when you fill in a tribal piece solid black. Coloring does not
    have to be black, but it does have to be solid filling of a color
    in an area. It is

  • A lot of older tattoo artists used to have the misconception that
    you should have a “liner” and a “shader” tattoo machine. This
    was in essence to, well… line and shade. The problem with this
    train of thought,

  • Some artists will call shading “coloring”, while other artists will
    tell you that the two are not even close to the same thing. It is
    this author’s personal opinion that shading is defined as achieving
    any

  • Round liner groupings are not the only groupings that are required
    for tattooing outlines. It is possible to outline a tattoo
    with the use of magnum needles. There are professional artists
    that will complete

  • Tips and corners of shapes in a tattoo, especially when doing
    tribal style pieces, should be attacked in a methodical way. As
    a new tattoo artist you may want to attempt to conclude your
    lines at a junction point

  • You may have noticed that some artists will use a light coat of
    petroleum jelly on the tattoo after applying the stencil prior to
    outlining. However, it is very important that you use very little petroleum
    jelly.

  • Sometimes the artist wants to achieve a smoky effect or a light
    background effect, or even just create a piece of work that
    mimics reality and does not have the solid cartoon coloring
    book lines that are prevalent

  • Some artists prefer to build up
    the weight of their lines by going
    over them a few times. This is especially true for artists who
    use thick lines in their work. Think of building up lines as three
    parts to each

  • A really good practice to use when outlining is to use diamond
    tips. Tips are the lower (touches the client’s skin) portion of the
    tube, tip grip assembly. Tips come in round, diamond, or shovel
    typically. The

  • Some artists will tell
    you to hang your
    needle out of the tip
    of the tube about
    the width of a dime.
    Others will tell you that the needle should not be visible at all.
    Some artists will even work with their needle

  • A good rule of thumb is that the more needles you have (up to
    a certain point), the easier it will be to achieve solid and smooth
    lines. Another good rule of thumb is that the fewer needles you
    use; the more pain

  • Traditional tattoo methods include an outline. The outline is typically
    done with outlining inks, which have less alcohol in them
    than normal pigments. Sometimes the outlining inks are not
    even tattoo pigments at

  • Some artists will not only have their line work on the stencil, but
    light shading might be included as well. This can save time
    while attempting to decipher the stencil once it is transposed to
    the skin. Awesome

  • Gloves should be worn during all times of stencil application,
    and the skin should always be cleaned prior to application with
    standard 70% alcohol. The alcohol can come in the form of a
    squirt or spray bottle, or

  • Allow the purple ink to dry. Some artists will immediately begin
    the tattoo if the placement is acceptable, while others will wait 5
    minutes or more. This can also be a good time to spend ensuring
    that the

  • An old technology that is used in a new way is the stack fed dot
    matrix printer. This is a pretty cool way to print directly from your
    personal computer right onto the Spirit masters paper. The pressure
    will mimic

  • There are two ways to get that award winning design, you spent
    hours on, into a transferable medium. The first way to properly
    use Spirit Masters style paper is to have your completed drawing
    out, lay it on top of

  • Liquid applications are always the preferred method
    in stencil application. There are unlimited numbers
    of chemicals that are in a liquid form that can be applied to the
    skin and will achieve similar results.

  • 7.1 Stencil Materials Used
    The stencil application process can cause a lot of new tattoo
    artists some grief, but once you get the hang of it then it will
    become a breeze. The actual stencil process begins when

  • Never underestimate the power of the white pigment.
    White can be an awesome highlighting tool, and even
    better blending tool in the ink cap to change another pigment’s
    composition all together. Experiment with

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