• “Amp or ampere is a unit of electrical current that measures
    the amount of electrical charge per second that exists.”
    Amps are important in relation to the tattoo process because the
    tattoo power supply will have

  • Tattoo machines require DC or direct current. Direct current is
    the unidirectional flow of current. This is opposite the AC type of
    current, which means alternating. Alternating current is typically
    found in the

  • You should become familiar with a digital voltmeter or multimeter.
    It is recommended that all tattoo artists own a multi-meter
    as it will allow you to troubleshoot a lot of components of your
    tattoo machine and

  • To compensate for a higher rated capacitor you might
    have to add voltage to your machine to get the same
    effect. Try changing out your rear spring in conjunction
    with changing the cap, you have to remember
    that

  • It is commonly accepted that the less voltage you need to use to
    obtain a solid running machine, the better. This is because you
    are stressing the electromagnets less, and your machine will not
    heat up as quickly.

  • Some tattoo power supplies will not display the voltage as in a
    digital meter. Typically you will have a ten turn pot style knob on
    the tattoo power supply. This means that the knob that controls
    the voltage will

  • Typically a tattoo machine will run from 4 volts to 12 volts. There
    is no real rule of thumb for how many volts you need to make
    your machine run a certain way. There is also no real rule of
    thumb for how much

  • The tattoo process requires power. While it is possible to run a
    tattoo machine without a proper power supply (as in the actual
    power supply device), it is not suggested. You could very easily
    hook your tattoo

  • Light = Faster
    Heavy = Slower
    Keep an eye on the coil cores as well, ensure that the
    a-bar is over the coil cores to achieve maximum pull.

  • A good rule of thumb to control the stroke of your machine is
    to look at the front spring. When you have the front spring in a
    relaxed position (meaning it is touching the contact point), does
    it seem to flex? To

  • You might hear of rotary machines every once in a while, or see
    them in catalogs of equipment. There are numerous styles and
    manufactures of rotary machines. Instead of using the coil and
    magnet mechanics, the

  • In the summer of 2008 I came across the FK (Fallen King) Irons
    patent pending “1.5 coil” setup. I have to start this section by
    stating that I have not personally tried these machines. I was immediately
    intrigued

  • It is important to know the geometry of your frame. The way
    the holes line up in relation to each other, as well as in relation
    to how they line up against the a-bar and tube-vise hole as the
    basis of your

  • Typical tattoo machines will use
    ten wrap coils. This is actually very vague because you do not
    know the gauge of wire used during the wraps. You also do not
    know exactly what a “wrap” is. One coil manufacturer

  • Some effects can be achieved simply by tightening the contact
    screw, or moving its tip closer to the armature bar. Some artists
    call this the air gap, contact gap, spring gap, ect. When you take
    the armature bar

  • There are a few factors involved in the stroke length or the
    “throw” of the tattoo needle. The throw is the distance that the
    armature bar pin or nipple travels. It will move in a circular fashion
    with the center

  • The working stroke of the tattoo machine is the distance
    the needle moves from the top of the front coil’s core to the
    center of the armature bar’s nipple. Most tattoo artists will
    tell you that this distance

  • When tattoo artists talk about their machines bogging down, it is
    not necessarily a bad thing as you might expect. Sometimes it
    is good to have your machine bog down to get a desired effect
    without damaging the

  • There will be a time in almost every tattoo where you are trying
    to pack in ink. It might be a solid black tribal piece or it might be
    solid color. No matter what type of ink you are packing in, you
    need to use a

  • I recommend that when you are doing greys you use the same
    setup you would use for a liner, but the traditional setup calls for
    a softer hitting machine with a long stroke. The reason I call for
    a long stroke here

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