• My friend Cecilia was over at the house today, and we were talking about how her apprenticeship was going in Phoenix Arizona. I recorded a bit of the conversation. I apologize for the kids in the background – this

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  • This Video will show you some tips for grey wash tattoos as well as go over some basics of getting the ink in the skin, and machine theory. Please download the video and save it to your PC, instead of streaming it

  • Here is a video tutorial related to tattoo machine assembly. It also has some good info about the building of the Green Monster – which is Eikon Device tattoo machine. On this tutorial we use the “True” a-bar

  • Some signs of an improperly performed tattoo procedure will
    be excessive scabbing, rapid fading, and pits in the tattoo after
    healing. It is important to let the client know that sometimes a
    small portion of the

  • There are several bandage materials that I have seen used in
    tattoo studios. The most common is the paper towel and tape.
    Paper towels are not a horrible bandage material for a large
    tattoo, and will allow the

  • Shading is definitely where your artistic skills will be visible more
    so than lining and coloring. In reality nothing is a solid color.
    This is because there is always light in the real atmosphere. I
    recommend

  • Some artists will shade with quick flicks of the wrist, and apply
    pressure at the starting point of the stroke, while gradually lifting
    up on the end of the stroke to create a dark to light effect. Others
    will

  • There is an endless list of ways to shade in tattooing. Recall
    that it is my opinion that shading is defined as achieving
    any gradient or filling that is not obtained by use of a single
    solid pigment. This does

  • The best example I can give of coloring, in tattoo terminology,
    is when you fill in a tribal piece solid black. Coloring does not
    have to be black, but it does have to be solid filling of a color
    in an area. It is

  • A lot of older tattoo artists used to have the misconception that
    you should have a “liner” and a “shader” tattoo machine. This
    was in essence to, well… line and shade. The problem with this
    train of thought,

  • Some artists will call shading “coloring”, while other artists will
    tell you that the two are not even close to the same thing. It is
    this author’s personal opinion that shading is defined as achieving
    any

  • Round liner groupings are not the only groupings that are required
    for tattooing outlines. It is possible to outline a tattoo
    with the use of magnum needles. There are professional artists
    that will complete

  • Tips and corners of shapes in a tattoo, especially when doing
    tribal style pieces, should be attacked in a methodical way. As
    a new tattoo artist you may want to attempt to conclude your
    lines at a junction point

  • You may have noticed that some artists will use a light coat of
    petroleum jelly on the tattoo after applying the stencil prior to
    outlining. However, it is very important that you use very little petroleum
    jelly.

  • Sometimes the artist wants to achieve a smoky effect or a light
    background effect, or even just create a piece of work that
    mimics reality and does not have the solid cartoon coloring
    book lines that are prevalent

  • Some artists prefer to build up
    the weight of their lines by going
    over them a few times. This is especially true for artists who
    use thick lines in their work. Think of building up lines as three
    parts to each

  • A really good practice to use when outlining is to use diamond
    tips. Tips are the lower (touches the client’s skin) portion of the
    tube, tip grip assembly. Tips come in round, diamond, or shovel
    typically. The

  • Some artists will tell
    you to hang your
    needle out of the tip
    of the tube about
    the width of a dime.
    Others will tell you that the needle should not be visible at all.
    Some artists will even work with their needle

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