• A good rule of thumb to control the stroke of your machine is
    to look at the front spring. When you have the front spring in a
    relaxed position (meaning it is touching the contact point), does
    it seem to flex? To

  • You might hear of rotary machines every once in a while, or see
    them in catalogs of equipment. There are numerous styles and
    manufactures of rotary machines. Instead of using the coil and
    magnet mechanics, the

  • In the summer of 2008 I came across the FK (Fallen King) Irons
    patent pending “1.5 coil” setup. I have to start this section by
    stating that I have not personally tried these machines. I was immediately
    intrigued

  • It is important to know the geometry of your frame. The way
    the holes line up in relation to each other, as well as in relation
    to how they line up against the a-bar and tube-vise hole as the
    basis of your

  • Typical tattoo machines will use
    ten wrap coils. This is actually very vague because you do not
    know the gauge of wire used during the wraps. You also do not
    know exactly what a “wrap” is. One coil manufacturer

  • Some effects can be achieved simply by tightening the contact
    screw, or moving its tip closer to the armature bar. Some artists
    call this the air gap, contact gap, spring gap, ect. When you take
    the armature bar

  • There are a few factors involved in the stroke length or the
    “throw” of the tattoo needle. The throw is the distance that the
    armature bar pin or nipple travels. It will move in a circular fashion
    with the center

  • The working stroke of the tattoo machine is the distance
    the needle moves from the top of the front coil’s core to the
    center of the armature bar’s nipple. Most tattoo artists will
    tell you that this distance

  • When tattoo artists talk about their machines bogging down, it is
    not necessarily a bad thing as you might expect. Sometimes it
    is good to have your machine bog down to get a desired effect
    without damaging the

  • There will be a time in almost every tattoo where you are trying
    to pack in ink. It might be a solid black tribal piece or it might be
    solid color. No matter what type of ink you are packing in, you
    need to use a

  • I recommend that when you are doing greys you use the same
    setup you would use for a liner, but the traditional setup calls for
    a softer hitting machine with a long stroke. The reason I call for
    a long stroke here

  • I consider a Liner Shader to be a machine that I use for shading
    gradients and blending. This machine is a similar setup as
    a liner, but instead of a hard + fast machine it is a soft + fast
    machine. My Liner

  • The old school trick of the trade was the dime gap liner
    nickel gap shader. Take the armature bar assembly and
    press down on the armature bar’s nipple (the spot where
    the needle bar’s loop attaches to the grommet

  • The traditional liner setup, in my opinion, is a machine that runs
    really fast, hits hard, and has a pretty long stroke. To achieve
    this there are numerous things that can be done. The first thing
    to look at is

  • A prime example of technology making an impact on the tuning
    abilities of the artists is that of the digital power supply. Even
    the power supply that does not give you all the fancy upgrades,
    but still has some

  • Presently, a host of technology is available at reasonable prices
    that a few years ago just simply didn’t exist. There are those
    who will shun the technology and say it is useless, these are the
    same people will

  • There are tools you can purchase to properly align your springs
    and a-bars to the tube hole on the front of the machine. Proper
    alignment is very important. In order to get a maximum transfer
    of energy from the

  • IMPORTANT THINGS TO REMEMEBER
    WHEN BUILDING MACHINES

    You can only bend the rear spring a few times before it is
    unstable. Too many bends in a rear spring will cause it to
    become brittle and possibly snap during a

  • Coil tattoo machines have wire wrapped coils that are then
    magnetized and will pull the a-bar down. The coils have a core
    that is typically made of iron. The core is tapped out to allow it to
    be mounted to the

  • As mentioned earlier the front spring length can be changed to
    achieve different results in the tuning of the tattoo machine. The
    rule of thumb here is that the shorter the front spring, the stiffer
    it will be.

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